Album Art

Organic Forms & Sonic Shapes — Vol. 1

The first release in the Organic Forms & Sonic Shapes series establishes a visual and sonic language rooted in observation, texture, and restraint. The cover pairs soft evening light with semi-transparent, organic structures, blurring the boundary between natural and artificial forms. Created for Particle Bunni, the design mirrors the album’s approach to sound: slow-moving, atmospheric, and shaped by subtle shifts rather than overt gestures.

Album cover featuring translucent, dome-like structures at dusk beneath a blue sky, softly lit by streetlights. The text “Particle Bunni — Organic Forms & Sonic Shapes Vol. 1” appears in minimal typography. — Organic Forms & Sonic Shapes — Vol. 1 — the beginning of a series focused on texture, atmosphere, and quiet transformation.

Organic Forms & Sonic Shapes — Vol. 2

Volume 2 shifts toward repetition, infrastructure, and rhythm. The cover image—a grid of industrial meters and pipes—reflects the album’s interest in patterns, systems, and the quiet hum of built environments. Designed for Particle Bunni, the visual language becomes more restrained and mechanical, echoing the music’s balance between organic drift and structured repetition.

Album cover showing a symmetrical wall of industrial gas meters and piping in muted tones. The text “Particle Bunni — Organic Forms & Sonic Shapes Vol. 2” appears at the top in understated typography. — Organic Forms & Sonic Shapes — Vol. 2 — ambient sound shaped by systems, repetition, and infrastructure.

Organic Forms & Sonic Shapes — Vol. 3

The third volume opens the series outward, introducing scale, distance, and negative space. The cover depicts concrete overpasses and control structures, softened by color and light, with a subtle visual callback to Particle Bunni’s recurring iconography. Created for Particle Bunni, the design reflects an album concerned with movement through space—both physical and emotional—and the tension between control and openness.